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The sea inside

3/24/2014

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2.67
B-

"I understood him logically, but because the filmmaking was largely boring, it killed the sympathy I should've had for him."
"I'm having a problem finding someone or something to root for or against. "
"In what had to be a very demanding role to take on, Bardem was pretty much flawless."
The Sea Inside probably deserves our applause for two reasons.  First, it made Hartman read and actually pay attention to a movie and, mostly, it is a fantastic film.  This film hit my radar after checking out what else Javier Bardem has done besides No Country for Old Men and Skyfall. I really enjoyed Vicky Cristina Barcelona, as well.  I narrowed it down to Biutiful and The Sea Inside, and the latter seemed more interesting at the moment.

The battle of a quadriplegic trying to win his right to die, holding the view that life is a right and not an obligation, is a difficult journey  to present. This is the kind of situation that often makes us examine our own thoughts on such a subject.  What would I do if it was me? What would I do and say if it was somebody I loved?  One of the major things I liked about this movie is that it was about the person, Ramon Sampedro, more than the topic of euthanasia.  It didn't try to aggressively sway us in either direction, but maintained a focus on who he was, what he thought, and how he responded to those around him with different opinions on his life and choice to die.  

The focus on Ramon's conversations, fantasies and flashbacks really kept us tuned into his story and why he has made his decision. The scenes of him flying out the window and over the landscape are beautifully shot. They mean so much to the character, especially the time when he doesn't get out the window and we see the land as if we're trapped, as is his reality.  My other favorite scene was when the quadriplegic priest came to visit and they argued their positions via the boy running up and down the stairs, and by shouting toward each other.   Arguing over rhetoric with rhetoric and Manuela having the final word as the priest leaves.
I thought all the relationships were portrayed well and provided a balance throughout the film. Ramon's father having few lines, but standing out when he confesses that 'there's only one thing worse than the death of a son... that he wants to die."  His brother is the most outspoken against Ramon's wishes, conflicting with his wife who's taken up the day to day care for Ramon and seems to have come to accept that it's Ramon's choice to make. Her speaking out to the priest was a big moment.  Javier, his nephew, doesn't quite understand everything... even when Ramon spells it out in a poem dedicated to him.  He's the son he never had, but definitely loved as one. Then there are the two women in his life, Julia and Rosa.  One coming to represent him and help him die while other shows up to convince him to live.  The conversations, the cigarettes, the kiss,  and the overall dynamics were vital to Ramon and well written and acted. We see each of them change their positions and Rosa giving her friend, who she loves, what he's long awaited even though he doesn't seem to reciprocate  the same feelings.  All of these people played such important roles to Ramon and showed us all both sides of his battle.  It turns out that years after Ramon's death the real Rosa (Ramona) openly spoke about it, confessing her part since the statute of limitations had run out for their supposed crimes.

The acting was good overall and superb for Bardem. He received all sorts of accolades for his performance and they were all deserved.  The way he delivers his lines are convincing and real. His facial expressions are on point, showing Ramon's wide range of emotion throughout his journey.  In what had to be a very demanding role to take on, Bardem was pretty much flawless.   At first, Lola Dueñas sort of bothered me as Rosa, but that's just who her character was.  She grew on me, just as she did with Ramon.  I was pleased with the cast overall, not knowing any of the others, they all fit and played their parts well.


The Sea Inside notches an A grade from me.  I walked away from it with a lot on my mind, a handful of laughs, and an eye lined with a tear or two.  Bardem's performance, the story, and the scenes that stood out for me made this a great movie experience for me.  I hope you all were able to suffer through the subtitles enough to enjoy it, as well!
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killer joe

3/10/2014

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2.29
C+

"Will anyone ever not use K Fried C when talking about that place ever again?"
"The movie gets an instant boost from me for the soundtrack... one track really. "
"This is easily the most writer-ly movie we’ve picked so far. "
Now that was avant-garde. Taken from Sara’s defense of Only God Forgives- “An avant-garde film pushes boundaries that audiences are comfortable with” I think it’s fair to say that my boundaries for how I prefer to enjoy my K Fried C have been pushed.  When I saw in the FB chat that K Fried C would be burned into my mind I assumed it was going to be eaten constantly throughout the movie and the Colonel would basically earn a supporting role credit, the whole movie I’m thinking well there’s not been any K Fried C yet then boom- more shocking blowjob than the real one Chloe Sevigny gave in the movie Brown Bunny.  Will anyone ever not use K Fried C when talking about that place ever again?  Is this your dick Ansel?

Onto the actual movie review, which I plan on rambling through so don’t worry about none of this being a cohesive paragraph.

Chris was clearly a fuckup from the moment the movie began but looking back on the movie I didn’t notice until it was over that the dog wasn’t going apeshit at everyone just Chris because the dog knew he was a worthless waste.  I don’t particularly like Thomas Haden Church but he’s one of the guys out there that can pull off stupid enough to fall into Chris’ stupid plan without bothering to think of whether they can pull it off or not, so kudos to casting.  I did have a problem with the opening scene that Chris somehow went from being drenched in a downpour to having his most done-up hairstyle in the movie at the strip club- awesome under the stage walkway though, and why was Ansel’s window all the way down in the rain- just so Dottie can conveniently overhear them?

Maybe it’s because I just watched American Psycho but Killer Joe the character reminded me a lot of Patrick Bateman, could just be the fact that he seems to pride himself in how well manicured he is but quickly shows with his sexual interactions with Dottie and later K Fried C that he has some issues of his own.  He’s a sociopath but he’s also the closest thing the movie has to a hero.  That said, I’m guessing Drew hated this movie because there’s no one to root for.  I suppose an argument could be made that Dottie is worth rooting for if only that you’re rooting for the young girl portrayed as slightly retarded to not end up with a life of being raped by Killer Joe and/or running away with her worthless brother. If that’s who you’re pulling for then you’re a winner!

All in all it was probably a C or C+ movie that was elevated into a B- with the what the fuck closing scene.  Too bad Joe destroyed the tv, it’d be great if he’d have flipped on the radio for dinner music and the tune switched just in time to hear Billy Corgan belting lyrics as Joe began pounding on Chris with a can of pumpkins.  I loved stupid Ansel holding up Chris and encouraging Joe to continue beating him to death.  Had there been a 10 second clip after the credits rolled of Rex walking in and saying you ready to go Dottie and them grabbing the check and leaving I may have even bumped all the way to B+

I do have to include my comment on the scene where the bikers beat the shit out of Chris- worst beatdown choreography ever- those boots were missing him by 3 feet from a camera angle across the street.  It was hilarious though when they said you know he really does like you before they began the beating.

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