A dysfunctional family reunites around their father's pending retirement.
Directed by Noah Baumbach
Starring Ben Stiller, Adam Sandler, and Dustin Hoffman
Initial Review by Jon Kissel
The Meyerowitz Stories should be a film that hits close to home. I, like Ben Stiller’s Matthew, do not have a close relationship with my family. I moved across the country, putting hundreds of miles between myself and them pretty much only because I could and I wanted to. I don’t go home for holidays. I don’t particularly feel bad about any of that, despite a barely-audible, Danny-like voice in my ear wondering if maybe I should. The part of The Meyerowitz Stories that rhymes with my life, however, is also the one that makes this a frequently irritating film. I was just talking with Blair about how freeing it is to decide to not care what your parents think of you, and to see the characters here make their lives worse in pursuit of their shitty father’s approval is me knowing better than them, and I don’t know anything. Director Noah Baumbach repeatedly returns to films about sons and fathers, usually about the latter being too self-absorbed to care about the former. This is his most intense examination of that theme, but he covered all of it 13 years ago with Squid and the Whale. It’s one thing for teenagers to wake up to their father being human and fallible and a dick. It’s far less appealing when adults do the same.
This viewer is always going to be sympathetic to a story of waking up to the lazy falsehoods of unexamined tradition, and Come Sunday is exactly that. Having only recently listened to the excellent This American Life episode that inspired this adaptation of Reverend Carlton Pearson’s dark night of the soul, Joshua Marston and his talented cast caught me at just the right moment. The confluence of an evergreen theme and the freshness of the real story should’ve added up to a quality experience, but Come Sunday is too bland to make much of an impact. This story is powerful enough to get me tearing up at work when it’s in podcast form, but the cinematic version has me distracted and bored.
JUST SOME IDIOTS GIVING SURPRISINGLY AVERAGE MOVIE REVIEWS.
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