A | The Thane of Glamis sniffs out a pathway to the kingship. Directed by Joel Coen Starring Denzel Washington and Frances McDormand Review by Jon Kissel |
The films of Joel and Ethan Coen have a recurring set of themes, and over their almost 40 year career, those themes have been applied across all genres. They’ve arguably made the best comedy, the best film about a musician, the best Western, the best Hollywood satire, and the best small-time crime film of recent film history, and with The Tragedy of Macbeth, Joel Coen has made the best English-speaking Shakespeare adaptation, with only Akira Kurosawa’s Ran as competition. Without his brother, Joel Coen doesn’t miss a beat in a film that reaches objective perfection in scene after scene. This is an assemblage of actors, crew members, and creative contributors without peer, all working in sync under a director at the peak of his powers. The Tragedy of Macbeth represents the end of a wildly successful partnership, as Ethan Coen has reportedly moved into theater, but there’s no diminishing of what the viewer can expect when a film has the Coen name on it.
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There’s something about a long name that is a sign of quality in comedies. The Will Ferrell/Adam McKay subtitles, Borat’s broken English, Dr. Strangelove, and Popstar: Never Stop Never Stoppin’ have a new member of their club in Barb and Star Go To Vista Del Mar, the best comedy since Popstar. This is a film laden with nonstop jokes, a parade of absurdity with zero dead spots. Written by and starring Kristen Wiig and Annie Mumolo, and directed by Josh Greenbaum in his feature debut, Barb and Star might not work for everyone, but it certainly worked for me. |
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