The façade of stoic men being cracked open by a horse taps into a primal corner of the mind, planted by some ancient instinct to get closer to nature or bond with another species or who knows what. What better place for this story to get retold than in a prison? Perfectly cast with man-mountain Matthias Schoenaerts as a simmering inmate desperate to get away from people, Laure de Clermont-Tonnerre’s soulful debut The Mustang hits all the right beats in a film that simply works. Everyone involved surely knows that audiences have been in cinematic places like this before, and Clermont-Tonnerre takes the audience down an exceptional version of this comfortable road.
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