Two families tend the soil in post-war Mississippi.
Directed by Dee Rees
Starring Jason Mitchell, Carey Mulligan, and Jason Clarke
Initial Review by Jon Kissel
A multi-part oral history of mid-20th century Mississippi, Dee Rees’ Mudbound feels familiar and unique at the same time. Black people toiling under the thumb of Jim Crow has been visited in films like Mississippi Burning, The Butler, Loving, The Help, and plenty of others. These kinds of stories often have the pure criminality of the KKK lurking around the corner, with virulent racists crafting a picture of evil so palpable that it’s almost manipulative. When there isn’t a family of noble sufferers weathering this storm, there’s benevolent white people around to serve as middle men or in contrast to the cross-burners, like these white people are ok and in no way complicit. Mudbound has some of those tropes, but it also holds them at arm’s length and broadens the tapestry. Rees is engaging with previous kinds of these stories, often to Mudbound’s detriment, but by including so many perspectives amongst the two central families, she’s pushing deeper than films like this usually go.
JUST SOME IDIOTS GIVING SURPRISINGLY AVERAGE MOVIE REVIEWS.