After her father is arrested by the Taliban, a young girl must pretend to be a boy if she wants to support her family.
Directed by Nora Twohey
Starring Saara Taudrey, Soma Bhatia, and Kawa Ada
Review by Jon Kissel
I’m as big a fan of Pixar as anybody, but there’s something about the opaque nature of creating computer graphics that makes the iconic studio’s style of animation somewhat less impressive. I have no doubt there’s a level of craftmanship in turning all those one’s and zero’s into photorealistic water or curly red hair, but I can’t help preferring the stop-motion of Laika and Wes Anderson’s pair of animated movies or the hand-drawn elegance of Studio Ghibli and Cartoon Saloon. Movies from these studios inspire the viewer to momentarily step back and marvel at the amount of finely-tuned labor that went into a single frame. Cartoon Saloon’s The Breadwinner has several of these moments within it, but it doesn’t subsist on visual awe though there’s plenty of it. Studio co-founder Nora Twohey’s film leaves behind the Ireland of Cartoon Saloon’s earlier Secret of Kells and Song of the Sea for Talbian-ruled Afghanistan and a desperate story of survival under tyranny whose charm isn’t lost in spite of its dire setting.
Raw is one of those films that engenders visceral reactions in its viewers. Its showings have apparently resulted in the paramedics being called in after audience members have fainted. Even the trailer dares the viewer to look away. As the latest entry into the company of the French Extremity genre, along with gorefests like Martyrs and Gaspar Noe's nightmare landscapes, Raw deserves its grotesque reputation, but it is not solely going for cheap thrills. Julia Ducournau's intense but heady film is a feast for the eyes, as oddly beautiful and entrancing as a story about a sheltered veterinary student's cannibalistic awakening could possibly be. Ducournau throws down a challenge to stomach her work and an invitation to experience it. Both are worth accepting.
JUST SOME IDIOTS GIVING SURPRISINGLY AVERAGE MOVIE REVIEWS.
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