Aging X-Man Logan escorts a disabled Charles Xavier and a ferocious young girl to Canada.
Directed by James Mangold
Starring Hugh Jackman, Dafne Keen, and Charles Xavier
Initial Review by Jon Kissel
Hugh Jackman's portrayed Logan, otherwise known as Wolverine, in nine films dating back seventeen years. Over that period, the X-Men films featuring Jackman have been all over the map, spanning from the execrable to the entertaining. However, he's never been at the center of a film like Logan, his final bravura outing in the role. While the X-Men films keep getting bigger, with larger casts and greater destruction, the stand-alone Wolverine films keep getting smaller as the casts constrict and there's a turn toward the internal. That focus bears substantial fruit in Logan, by far the best X-Men film in the extended franchise, and one of the best superhero films in the present era that Wolverine and the X-Men arguably kicked off.
Mexican director Alfonso Cuaron returns to his homeland for Roma, an autobiographical film about an upper class family in Mexico City. Cuaron last filmed in Mexico for Y Tu Mama Tambien, an all-timer that also backdropped Mexican political strife against regular people living their lives. Roma features less horny teenagers than his first masterpiece, and instead focuses on the family maid caught in the throes of her own personal drama, the family’s dissolution, and protests in the streets. Like the best films, Roma gives the impression that concurrent stories are happening around the one being told here, and I went into this film sure that it would knock me out. However, Roma somehow never breaks through my emotional barriers, leaving me to praise and admire it but not exalt it as the modern masterpiece that so many critics have hailed it as.
This is our first review of 2019, so what better way to start it off than to talk about how 2018 went for the movie business? Disney’s many properties grossed 63% of the total grosses of the top ten, and 47% of the top 20, with the top three earners of the year all sending money back to the House of Mouse. Add in the properties from Fox, which will be brought under the Disney umbrella at the end of the month, and those numbers bump up to 71% and 57%. This is a monopoly concern, but for Ralph Breaks the Internet, it’s an opportunity to stuff all these properties in one film. The original Wreck-It Ralph did the same with video game characters, but the difference is between characters whose moments have passed (Zangief, Q-Bert) and characters that show up on theater screens every year. It makes me queasy from a commercial standpoint, and as far as the film that contains billions of dollars worth of intellectual property, it makes it lazy. The silence that engulfed the theater during long stretches Ralph Breaks the Internet is a sign that complacency has overtaken a property that started strong. Why write a strong joke when Iron Man can be in the background?
JUST SOME IDIOTS GIVING SURPRISINGLY AVERAGE MOVIE REVIEWS.